Karolina Adamczak

Durational live performance, Harold’s Cross studios.

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The performance depicts a scene in which the artist hugs and caresses the sheets as though they were another body. The work illustrates the absence of genuine human love, portraying the objectification of intimacy as a means of escape and comfort. The bed becomes both a private space and a public stage, reflecting how intimacy in the digital era has transformed into a public act.

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